Mitchell Leisen
TCM Airs 2 Screwball Comedy Classics


The Mitch Is Back
Though I love these two films, Mitchell Leisen (1898-1972) has remained an unappreciated and otherwise forgetten auteur, with harsher critics calling the former set designer turned director a "swishy hack" who fashioned "a string of campy gossamer romances for the lesser Great Ladies of Tinsel Town" and Billy Wilder famously characterizing Leisen as a glorified "window dresser." It seems only David Melville, in his Senses of Cinema essay "Notes on an Exploding Star," gave the man his due when he stated, "Leisen's oeuvre was decades ahead of its time...He's a subtle and stylish auteur who could add heart and humanity to the brittle sophistication of Billy Wilder, lend grace and elegance to the boisterous Americana of Preston Sturges." In his Biographical Dictionary of Film, David Thomson echoes Melville's assessment but suggests that Leisen's romantic comedies flew under the radar of praise reserved for Wilder and Sturges because they were "too reliant on feeling to be screwball, too pleased with glamour to be satires – and thus less likely to attract critical attention.”
Check out these two films tonight and see what you think.
Easy Living (1937)
directed by Mitchell Leisen, 88 minutes, b&w

Midnight (1939)
directed by Mitchell Leisen, 95 minutes, b&w

Mitchell Leisen Links:
Wikipedia
Internet Movie Database
AllMovie.com
Senses of Cinema: Mitchell Leisen
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